Mirrors and “At the Beach” ~ 1973


          Humans are among the few animals who can recognize themselves in mirrors, along with a few other apes (chimps, orangutans, bonobos), and perhaps dolphins and elephants. The ‘mirror stage’ when children first recognize themselves is widely understood as a critical phase of human development.

"The Magic Mirror" ~ by René Magritte, 1929

          This is one of Magritte’s series of ‘word paintings’, in which the words and the image seem to be in conflict. The text and the image are given the same importance even though they contradict each other. Even the exact identity of the object is uncertain, despite the clarity of the style of painting. Magritte loved visual puns and paradoxes and was interested in the relationship between the painted image and the visible world and between text and image.

          Mystic people all over the world stare into reflective objects – mirrors, oil, water, crystal balls, knives … – and go into a sort of trance. This was already practiced by Olmec shamans, Greek priestesses, Roman magicians, and Medieval wizards. It is a common superstition that someone who breaks a mirror will receive seven years of bad luck. The ancient Egyptians, as well as the Etruscans, Romans,
and many other cultures, buried people with mirrors, probably because these magical surfaces were thought to capture the soul and help preserve it in the afterlife. Similarly, the Chinese thought that demons only became visible in mirrors, so they put them on their backs to defend themselves from malevolent forces.

           When two mirrors reflect one other, the endless abyss of mirrors-in-mirrors created between them might form a kind of spectral architecture. Jules Verne had an idea about using mirrors for space travel, where the infinite reflection travels an infinite distance in negligible time. This was derived from a story by Edgar Allen Poe involving a man trapped between two mirrors by the infinite distance between himself and his reflections. Magritte anticipated this also, and I’ve always thought mirrors should work like this;

"Reproduction Prohibited" 1939

           Anamorphis is a form of art that was first used during the Renaissance and became particularly popular during the Victorian era. It involves distorting an image so that it is unrecognisable unless viewed in the right way. For example, Hans Holbein’s (German, 1497/8-1543) ‘The Ambassadors’ , today at the National Gallery in London, contains a skull (symbolising the transience of life) that has been grossly stretched. Beginning in the 17th century, artists painted even more severely distorted pictures, leaving a round circle in the middle. When a tubular or conical mirror was placed there, it reconstituted the picture so that you could see what it really was.

Anamorphic Mirror - Eye

“Mirrors should think longer before they reflect.” ~ Jean Cocteau

          Jean Cocteau was a poet wrapped inside a painter wrapped inside a filmmaker and actor. And he was even a boxing manager. Each was a skin, a costume, which he sometimes wore at the same time. Cocteau shed few of these skins and over time, even posthumously, acquired several more. In the 1980s, he was specifically promoted as the presumed Grand Master of the Priory of Sion. In 1997, his painting inside the London Notre Dame de France church became one of the key promotional items for Lynn Picknett and Clive Prince’s “The Templar Revelation”, the work that would go on to inspire “The Da Vinci Code”.
          Though these claims are largely fabricated, Cocteau did have a fascination with the Italian master. In 1959, Cocteau contributed to a work on Leonardo Da Vinci, for which he wrote one of his famous poems: “Homage to Leonardo”, stating that his work expressed “better than this short work [i.e. his own contribution] that what Leonardo inspired me to do and the fraternal love I have for him.” Fraternal love… is this not typically used by members of certain types of secret or initiatory societies – a brotherhood?

"Orphee" - 1949

          Who was Jean Cocteau? In short, he saw himself as a poet. But he himself felt it was very dangerous to hold the mirror too closely, if only because Cocteau was obsessed with mirrors. In “Blood of a Poet”, a trend-setting short film made early on in his career, mirrors act like an event horizon, a watery substance, that propel those who attempt to penetrate through that veil to a strange realm, a world of deities, the dead, imaginary beings… the real home, it seems, of the poet. The poet was neither living nor dead; he was spoken of by few, understood by even fewer, if only because he spoke a language that was both of this and of another world. By the time we see Cocteau at work in “The Testament of Orpheus”, in which he not only directs but also plays the leading role, playing Jean Cocteau (who else?), we are blessed with eighty minutes of absurd, yet brilliant fantasy. In the movie, Cocteau tries to paint a flower in his own typical style, but instead he ends up making a self-portrait. Each time, his effort results in a self-portrait. Hence, a man wearing a skull mask appears and states that a painter will always end up painting himself, no matter what. And we can learn much about Cocteau by looking at what he did. Of course, artists of all kinds have always made self-portraits. Van Gogh was famous for his series of self-portraits. I’ve made a few self portraits over the years. Mostly because when it comes to securing a model… I was always available. All I had to do was look in a mirror. Which leads to this…

Drawing of the Day ~ “At the Beach” 1973

"At the Beach" ~ 1973

~ sidestreetsam

About sidestreetsam

Sam Hallmark ~ Graphic Designer ● Conceptual Design ● Animation ● Multi-Media ● Music ● Desert Wind Graphics was established in 1994 as an affordable graphic design solution for a wide range of clients. From conceptual media, storyboards, print collaterals, logo design, multi-media presentations, animation, engineering, technical, marketing , advertising and corporate image packages, Desert Wind Graphics will fulfill your design needs for projects both big and small. With over twenty-five years of design experience I can provide you with access to a unique skill set that will deliver your project on time, within budget and on target! Feel free to contact me with any questions you may have regarding your graphic design needs.
This entry was posted in Uncategorized. Bookmark the permalink.

9 comments on “Mirrors and “At the Beach” ~ 1973

    • Yes, that is actually how I looked 40 years ago! We all wore HangTen shirts and bell-bottom blue-jeans. Everybody wore they’re hair long and straight, and usually parted in the middle. Unless you were one of the few who could muster a boss cool afro. Of course we thought we were the grooviest cats in the cradle. Funny… for all our so-called individuality we looked alot alike! Hahahha

  1. Very interesting facts about the artist and the mirrors! If only one could invent a wrinkle free one!!! Or a look into the future!

  2. Why do I seem to learn so much more about you from the printed word? Wonderful depth, as usual, on this post. You’re an onion who plays a rockin’ guitar! Pealing back those layers is always a pleasant surprise. I have been readin’(yes I can read) Van Gogh’s Van Goghs which Goghs right along with the artist painting himself. I was fascinated to learn of his tireless quest to represent the poor as well as the simplicity of nature and how it became the very purpose of his work as an artist. He eschewed refinement in his art and his living circumstances rejecting”the cosmopolitan ways” of the city for for those of the common man. He depicted his subject matter, the simple life of Pre Industrial, working-class people and their plight, with sincerity and purpose. Layers peeled. Not that crazy guy people usually think of when they think of Van Gogh. Ahh, I digress. Great self portrait!

    • ~ Hey, Christos! As we have discussed, van Gogh has been characterized as the madman artist by popular culture for way to long. Surely he was compulsive-depressive. Towards the end of his life he became increasingly isolated from those he loved and cared about. Malnutrition, sleep deprivation and bad liquor finally combined to push his fragile psyche over the edge. His letters reveal an all-together different side to the van Gogh story. Insightful, full of humor and hope for the future. His letters show him to be much more balanced and clear headed than once thought. ~ samwell

  3. Helpful post – I was fascinated by the analysis . Does someone know if my assistant might be able to access a sample a form example to edit ?

    • I’m glad you found the post helpful. Sorry for the delay in responding. Feel free to cut-and-paste anything from the post you might find useful. I’m not sure what a editable form example is, but good luck.

Leave a Reply

Your email address will not be published.

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>