I’m working on a series of digital prints in various formats, all based on views of Mount Signal. Mount Signal was used by the early Pioneers and Native Americans as a landmark to help guide them through the desert. On a clear winter morning, Mount Signal appears to leap into the scenic foreground making for a spectacular view. My idea is to do something very similar to the Japanese woodblock masters of old. The prints could be assembled in any number or variations desired. The full set of forty-four prints would be bound up in a traditional Japanese print folder styled in my artwork.
Katsushika Hokusai (葛飾 北斎?, October 31, 1760 (exact date questionable) – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景, Fugaku Sanjūroku-kei?, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s.
Hokusai created the “Thirty-Six Views” both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai’s fame both in Japan and overseas. As historian Richard Lane concludes, “Indeed, if there is one work that made Hokusai’s name, both in Japan and abroad, it must be this monumental print-series…”. While Hokusai’s work prior to this series is certainly important, it was not until this series that he gained broad recognition.